In a Land of Heroes, Gangsters and John Ford With ‘The Irishman,’ Martin Scorsese says goodbye to a lost world—and to his greatest subject.
As I watched “The Irishman” a few weeks ago in a Manhattan movie theater I felt an ache, a kind of grief sneaking up on me, and toward the end I thought I knew why. I realized: I am watching John Ford’s “Cheyenne Autumn.” I am watching a great artist say goodbye to a world […]